Publicity is
that elusive thing that can make or break your book - in all sorts of ways!
Learning to promote you and your book is something that can take a bit of
"re-training" for most new authors (and many old-timers too). Publicity is
really all about selling your idea (and you), but all too often the word
"selling" brings up images of polyester clad used-car salesmen, telemarketers,
and strong-arm sales strategies that do nothing but alienate your intended
customer.
Nothing could be further from the truth.
True
"salesmanship" is all about creating a deep connection with your intended
reader or reviewer by providing unique, useful and rewarding information about
your book. It's all about creating a relationship that you will both benefit
from and to which you can return time and again. It's about creating the
awareness that you are an EXPERT about the topic of your book.
Good
publicity is also regular and consistent publicity - there really is no such
thing as an overnight success. Remember that you never know who is reading or
listening -- it just might have been someone who could lead you to bigger and
better things.
Here's some ways to create a great relationship with
the editors and reporters that can provide your book the long term exposure it
needs to succeed:
1) It's ALL about your intended audience -
and very little about you. You might be brilliant, but the editor only cares
about their audience. As a matter of fact, more often than not if you come
across as thinking you are too wonderful, you'll most likely turn out to be a
turn off to the editor or reporter. This is where "blanket" press releases that
go to thousands of outlets fail - they typically focus on you the author, and
unless you are already a household name, guess what? No one cares.
You
MUST tailor your release to the intended audience - and it must be unique.
Focus on the benefits you will provide their audience. Think about the
publication or program you are trying to approach - what do they provide to
their audience and does your book contribute to their goals? Don't under any
circumstances make your pitch sound like an ad for your book - if you have a
good fit, and have good information inside your book, then it will generate
interest in the book. The goal here is to make the editors, reporters, and
audience understand that you are an expert on your topic, and that your book
contains lots of good information - by PRESENTING some of the information...
not by TELLING them you are an expert.
2) Target your pitch. Be
confident knowing that reporters and editors have lots of need for information.
But also understand the one of the quickest ways to get rejected is to pitch
the wrong person - you'll waste both of your time (and probably annoy the
editor or reporter) - do you homework and find out who is the correct contact
for your book. Once you've found the right person - ask them what they want.
Only pitch your idea if it's a fit. Be sure to respect his or her time -
everyone in the media industry works on unbelievably tight deadlines. Ask if
they are under a deadline and if so, could you call back at a better time.
Be short, sweet, and to the point - which means get to the point quickly.
The audience will eventually want more detail than the reporter or editor - but
for your reviewer, be able to sum up your book in 30 seconds or less. "Talk
less, listen more" - let the editor or reporter drive the conversation after
you have them interested. They will have specific needs and questions - so stop
talking and answer them explicitly.
3) Approach ALL types and
sizes of publications and media. Don't be afraid to contact the "big guys" and
don't neglect the smaller ones. Any one in the media has to aggressively pursue
getting new and fresh content for their shows, magazines, and newspapers. This
is especially true of anyone who needs to fill space on a daily basis. They are
almost always on the search for people who can present information on exciting
and interesting topics and trends. The biggest outlets are always on the search
for an unknown that they can highlight.
The smaller journals and
outlets often have a very focused and influential audience - and you never know
who might be reading them or listening to their show . The smaller publications
can also be "gateways" into the larger ones . Almost every single size of
publication has value in your publicity campaign. Your chances of getting into
smaller publications is probably higher than the larger ones, so set your time
and effort accordingly.
4) Treat your contacts with unfailing
respect and politeness. Yes, you are very busy - you might even be far busier
than the publicist or producer that you are trying to approach. But you need
them to help you out - and being constantly aware that they are very busy
themselves will keep you focused on getting your materials to them in a timely
manner. Never ever be late in submitting materials for a review or interview.
5) Understand that publicity isn't a "one shot success" effort.
It is all about sustained and consistent awareness of your product. Marketing
research indicates that a consumer will need to see your name about 7 times
before they will remember it. Try to keep your interviews and reviews spaced
out a little bit - frequency and consistency are critical. Don't ever let up on
your publicity campaigns - even the most successful product lines in the world
(think Nike and McDonalds) continue to consistently spend millions on awareness
campaigns for their products. Very rarely is anyone an "overnight success" -
even the best-selling authors spent years building their reputations.
Follow these 5 steps while conducting your publicity campaigns, and your
level of success will be far greater than those who have either ignored or
never learned these basic steps.
If you like this information (and
found it helpful) please feel free to post it on your site, put it in a blog,
toss it in your newsletter, or in general spread it around. May you have
success in your creative efforts!
ABOUT THE AUTHORRay
Robinson is a partner in Dog Ear Publishing
http://www.dogearpublishing.net, a self publishing services
company specializing in delivering "high touch" services to the author
community. His company provides a full range of services to authors, from
editorial to page layout to marketing and fulfillment.