These are
exciting times for writers. Modern techniques and new technologies speed our
writing and expand our wares. There was a time when writers were rarely
published in more than one edition and then those editions were limited to
hardcover, softcover and mass-market paperback.
Editions. Your
printed "pBook" consists of words and black/white illustrations on paper but
some of the other editions will be much fancier. The electronic edition will be
read on a computer screen or handheld reader. This version may have color
photographs and drawings. The illustrations can move; you can insert video
clips. You can add sound files: music and spoken-word audio. You can make
references to Web sites so that your reader can get more information. And in
the electronic edition of your book, the referenced URLs will be hot; the
reader may just click on them and go straight to the website.
Now that
we are differentiating between pBooks and eBooks, we might as well call your
audio product an aBook. Then it follows that your workshop will be your wBook,
your speech your sBook and your consulting your cBook. All of these activities
are derived from your Work (with a capital "W"), your core content. The formats
or "editions" are different but the information is essentially the same. For
example, once you complete the printed manuscript (pBook), it may be used as a
script to record the Work on cassette, CD or for audio download (aBook).
Media asset management. Your book will be produced in several formats to
accommodate the preferences of your readers.
As John Kremer (1001 Ways
to Market Your Book) says, your $20 printed book could also be a $6
downloadable edition, a $70 audiocassette album, a $150 video package, a $600
seminar, a $300/hour consulting session and so on. The formats are different;
the core content or Work is the same Some consumers want to "read"
your book but do not have time to read. On the other hand, they commute long
distances and would like to listen to your book. For them, you can make a
spoken-word audio edition. Your "book" should be available in any format your
reader wants.
Generally, most people today still prefer the pBook but
a growing number of younger people choose eBooks.
At the beginning of
the term, a freshman walked into the college library for the first time. He
looked around and focused on a 22- volume set of books. He asked a nearby
librarian what the books were. The librarian responded "that is the
encyclopedia". The student turned incredulous and asked "You mean someone
printed out the whole thing?"
If you look up Dreamcatcher by Stephen
King at an online bookstore such as Amazon.com, you will find it is available
in seven different editions: hardcover, mass market paperback, audio cassette
(unabridged), audio CD (unabridged), hardcover (large print), eBook (Microsoft
Reader) and audio download. You too, want to wring maximum value out of your
work.
The word Authority has the word Author in it.
Joe Vitale, author, Theres a Customer Born Every Minute, a book on
the life of P.T. Barnum. Credibility. Most people hold
authors and books in high esteem. Since a printed book provides more
credibility than an audio or electronic text edition, you will want to print
the "Work" too. So, the pBook comes first; it is the foundation for your
business. Then you can turn out the other editions.
Format.
Plan to write your book in book-layout format. Forget Courier typeface and
double-spaced text. Make your pages look like a printed page. Set your margins
for a type block about 4.25 x 7. Add a header and a page number at the top. Now
as you write, you will be able to visualize the finished page.
Write
your words, add illustrations, insert captions, drop in quotations, and
introduce stories and then sit back to view what your reader will see. Are you
getting your point across or should you rearrange the elements on the page?
Conversion. Once the book is written, you may pour it into a
page layout program such as PageMaker, InDesign or Quark. Then convert it to an
Adobe Acrobat .PDF and burn a CD. Acrobat converts the text file to an image
file; the format preferred by book printers. Acrobat will convert the text file
to "Press" for an offset (ink) printer, "Print" for a digital book printer and
"Screen" for CDs and downloadto be read on a screen. It takes just a few
minutes to convert your manuscript into all three.
ISBNs. An
International Standard Book number should be ascribed to each edition of a
Work. The purpose of the ISBN is to assure that those who order get what they
want and expect. A customer who orders a hardcover edition will probably be
disappointed to get the audio CD. So, today, we need a lot more ISBNs that we
used to. See http://www.ISBN.org
Distribution. There are about
85 distributors across North America that handle pBooks. Some handle aBooks
(audio) as well. For other editions, you will want to deal with another
distributor or "store". Some dealers, for example, specialize in selling
downloads. To distribute your eBooks and aBooks, see Amazon.com, B&N.com,
CyclopsMedia.com and Booklocker.com.
Think of the future. Focus
on your pBook and know that you will be spinning off several editions from your
basic manuscript or Work. The collective result will provide a much better
chance of making a living while making a difference.
There is more
than one way to publish a Work; your book will be more than a book.
Dan Poynter does not want you to die with a book still inside you. You
have the ingredients and he has your recipe. Dan has written more than 100
books since 1969 including Writing Nonfiction and The Self- Publishing Manual.
For more help on book writing, see
http://ParaPub.com. ©